Musical Con 2023: West End Convention Announces Lineup
Musical Con, the West End’s Official Musical Theatre Fan Convention will return this October, following a successful debut last year. The exhibition proved popular with musical theatre lovers in its premiere, and will be reprising its role at ExCel London on 21st – 22nd October 2023. Musical Con 2023 There’s a place where we belong […]
Musical Con: First Ever Event Coming To London
Musical Con, The West End’s first ever musical theatre fan convention is coming to London and is brand new for 2022. The entire musical theatre community is coming together under one roof for the first time for a weekend-long celebration of all things musical at ExCel London this October. About Musical Con The debut Musical […]
4 Things To Do Before You Organise An Event
If you’re looking for ways to make an enticing event, much of the information you find online speaks to a very technical side of the whole ordeal. From ticketing pricing tiers and tactics, gamifying giveaways and promotions, to the fact that you should promote your event on social media (this should be obvious…do it…I shouldn’t have to tell you this). These are of course important things to think about when you are engaging your audience and these take some trial and error to get right for your particular audience.
A Tale Of Two Parts: Broadway’s Newest Model
I had a sneaking suspicion when Harry Potter and the Cursed Child made its long-awaited entrance to Broadway it would do so with flair. The same goes for a staple in theatre’s history, Angels in America, led by the legendary Nathan Lane and definition-of-versatile actor, Andrew Garfield. These plays, though they are different in content and presentation, and will be considered for the “best” award in different categories, are slated to win big at the June 10th Tony Award celebration, Harry Potter with 10 nominations and Angels in America with 11.
Equip Your Artists, Don’t Badger Them
Years ago, I was the Musical Director for a show where a young artist was unable to come to the auditions, just the callbacks. The Director and I gave her a time right before the callbacks began and then had her read for one of the roles. She was solid, but not the best possible option, so we slated her for a feature/ensemble role. During our casting session, the Producer begged us to give this artist the lead. Begged. Her reasoning?
Comp Ticket Dilemmas: To Ask For Them or Not?
I have to admit – I love going to shows. I like to see live music, theatre, musicals, circus stuff, sometimes gallery things, live events…pretty much anything that sounds interesting to me that I am free to attend I try to see. One thing I struggle with is comp tickets.