Let’s face it, your success depends on how well you manage your budget. Efficient spending requires experience and knowledge.
When you are given the task of designing entertainment, first you look at physical assets, venues, demographics, and lastly the budget. Putting the budget first would kill creativity. Once you have killer ideas then you make sure the money you have is enough to cover your wild ideas.
A digitised theme park of art: enjoyed by some, questioned by others.
Sydney, March 12 to April 6
Australian Bruce Petersen is developing an empire of super-experiences. He’s done it with sharks, Alice in Wonderland, Van Gogh, Di Vinci, Monet and is on his way to developing a science-based exhibition.
Jeffrey Steenbergen is a Graphic Designer for Themed Entertainment and the Leisure Industry. In the 8 years Jeffrey’s worked as a Designer, he’s had a wide range of design experience ranging from attraction marquees and period based props to arcade interiors, using his passion for lettering and craftsmanship to create unique experiences through graphic design.
An interest in night life and parties was how Sacha Savenkoff’s journey to technical director began. Playing with lighting and sound at the clubs led him to become an enthusiastic hobby technician. Until he found his way to one of Europe’s largest theme parks where a multitude of challenges quickly turned him from amateur to pro. It was there as well, where Sacha found his passion for ice shows. In this second part of our interview find out more about how Sacha’s career continued…
Recently, Sacha Savenkoff and I met for a fascinating interview. So interesting, in fact, that we couldn’t stop talking and, instead of this being just one article, it ended up being a story in 3 parts. Sacha Savenkoff’s Journey to Technical Director started with one of the most natural things for any teenager: an interest in parties. In Part 1 of his life story, Sacha tells us what initially developed from that…
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