Show Reel Of The Week: Aerialist – Anne Weissbecker
![Annen Weissbecker](https://www.theatreartlife.com/wp-content/uploads/Anne-Weissbecker-TheatreArtLife.jpg)
My name is Anne Weissbecker, I am an aerialist who grew up and discovered circus in France, graduated from the National Circus school of Montreal and since then perform on almost anything that can fly (as right now an aerial bicycle in Kurios from Cirque du Soleil)
Lincoln’s Little Snookle by Beth Lujan
![Lincoln Hudson](https://www.theatreartlife.com/wp-content/uploads/Lincoln2-1.jpg)
Where do I begin? I first met Lincoln Hudson back in 2011 or so. He was playing the part of Mr Piggy for the Beatles LOVE by Cirque du Soleil and dating my daughter Nichole. I will never forget his love for his family, friends and life.
The Greatest Dame & English Gentleman by Ashley Sutherland
![Lincoln Hudson](https://www.theatreartlife.com/wp-content/uploads/Lincoln2-1.jpg)
Lincoln Hudson was one of the most impressive actors that I had ever met. We met in 2006 when I was hired as a performance medicine therapist at The Beatles LOVE by Cirque du Soleil. Every single day, before starting his “Mr Piggy” makeup (which could take a couple hours), Lincoln would come to the physiotherapy room to greet all of the athletic trainers, massage therapists, physical therapists and Pilates instructors. He was such a kind and loving man.
TheatreArtLife
![TheatreArtLife](https://www.theatreartlife.com/wp-content/uploads/Anna-Article.png)
When I came up with the idea for TheatreArtLife, I knew at some point, I would need to expose myself, promote myself and become a face of the brand. After all, having joined forces with Ashley Sutherland-Winch, every step of the core mission behind TheatreArtLife would be a reflection of our beliefs, ideas, and passions.
Turn No Into Yes: Persevering In The Entertainment Industry
![Persevering In The Entertainment Industry](https://www.theatreartlife.com/wp-content/uploads/No-means-yes.jpg)
I spent a lot of my childhood behind the scenes. My aunt and uncle were working actors; on Broadway, in the voice over studio, doing national and international tours, and for most of the time I wasn’t far from the dressing room. I was paying attention as much as any young child was, but I never felt the call to the stage myself.