Thank You R
Drew Janine As almost everyone in this industry knows, and as I have said multiple times, this work is a thankless job. You do ridiculous hours, sometimes no guarantee of pay because companies are trying to take advantage of everything they can including free labour, hardly any time to rest/prep/have personal time, and the list […]
Work Life + Personal Life = Balanced Life?
Drew Janine A balanced life is defined as achieving optimal health in every aspect of your life including work and personal life. Unfortunately while working in this industry the personal life often comes to a grinding halt. It’s no secret that I have always chosen my work life above almost all else. This is a […]
Input Patch Template
As someone who works in sound, one of the basic regular parts of my job is to have a patching sheet. For those who I’ve already lost and have no clue what this is, an audio patch sheet is a document used to list the inputs and outputs for everything on the stage that you are using for live sound. Making a list is the easiest part of it. Having it be comprehensible by everyone else who reads it is where things start to get difficult. Why is this such a difficulty? The short answer is typically one of two reasons:
Either your handwriting sucks and not everyone uses the same short hands as you do
Or the other person genuinely has no idea how to read the patch list
Awesome Audio Education Resources
India Hooi Working in audio presents a marvelous opportunity to continuously learn, keeping up-to-date with new technologies, and expanding your knowledge on the multitude of topics that the field encompasses. Audio education can sometimes be expensive or difficult to access depending on where you live and your current life situation and circumstances. Happily, there are […]
Life in the Less-Than-5%: Being an Asian-American Sound Tech
As hate against those who look like me has skyrocketed in the past year, and been largely ignored by the music industry, I’ve started to rethink my assumptions about how I can move through the audio world. If women make up 5% of sound engineers, then the percentage of women of color like me is even smaller. In my nine years in live sound, I have never crossed paths with another Asian-American sound tech, although I know we exist. The times that someone onstage has looked like me have been far and few between. I always thought I would have to be extra careful about my safety because of my gender, not because of my ethnicity. Clearly, that was naïve.