The Global Media Site for Entertainment.
Menu
Key points:
1. You need to find your own voice. Find a way to stand out from the crowd.
2. Make sure you stay current on gear. You don’t need to own everything, but you do need to know what tools the pros are using.
3. Know the software. Become a power user.
4. Always be creating. Think about how you can do something different. Keep making stuff. If your brain is used to creating stuff, it will be easier to deliver when the time comes.
Check out his V-Log in this link:
Gemini Nominated and Juno award winning composer/arranger/song-writer Trevor Yuile practically thinks in music. For him, music provides the emotional glue that connects the inner world of each character with the audience. Thus, a great music soundtrack is all about communicating the heart of the story in as efficient, but artful way as possible.
A Sound Girl In Oman: Bridging Cultural Gaps Through Theatre
Roadie Life: Top 10 Reasons To Go On Tour
Gemini Nominated, Multi-Canadian Screen Award winner, and Juno award winning composer/arranger/song-writer Trevor Yuile practically thinks in music. For him, music provides the emotional glue that connects the inner world of each character with the audience. Thus, a great music soundtrack is all about communicating the heart of the story in as efficient, but artful way as possible. A few of his TV credits include Into The Badlands (AMC), Orphan Black (Space, BBC America, CTV, BBC Three), King (Showcase), Being Erica (CBC, BBC, ABC Soapnet, in 27 countries), Stella & Sam (Disney), and Billable Hours (Showcase). As a songwriter for Universal EMI/BMI and Maple Records, Trevor has had songs featured on Greys Anatomy, and The Ghost Whisperer. He also has writing credits for Disney Canada's Harriet the Spy, and CBC's How do you Solve a Problem Like Maria. His sound is often characterized by innovative pairings of instruments, and beautiful melody lines. He boldly integrates differing styles and genres of music to achieve exciting new results and has arranged for practically every kind of ensemble, real or virtual.
Read Full Profile
© 2021 TheatreArtLife. All rights reserved.
Thank you so much for reading, but you have now reached your free article limit for this month.
Our contributors are currently writing more articles for you to enjoy.
To keep reading, all you have to do is become a subscriber and then you can read unlimited articles anytime.
Your investment will help us continue to ignite connections across the globe in live entertainment and build this community for industry professionals.
