4th November 2024

Search

Interview with a Playwright: Idris Goodwin

Idris Goodwin

Idris Goodwin is an innovative playwright with strikingly relevant plays, many of which cover aspects of life as an African-American in modern America. He is the Producing Artistic Director of Stage One Family Theater in Louisville, Kentucky. He also has authored many books as well, coining the term “break beat poet.”

Playscripts: How did you initially become interested in playwriting?

Goodwin: I’ve always been hip to live performance and language. All my heroes are preachers, rappers, comedians, and other “real time” wordsmiths. It was the energy and collaborative ethos of playwriting that drew me in.

This play (Blackademics) is an interesting look at the dynamics of race in modern America. How were you inspired to create this piece?

I was living in Iowa City, Iowa at the time, home of The University of Iowa. I was surrounded by academics in the midst of corn and humidity. It wrote itself really.

Idris Goodwin

A very interesting theme you explore is Georgia’s point system in the play and the literal fight for a seat at the table. What does this represent to you and how is it reflective of modern day academic discourses?

It doesn’t just apply to academia. People on the so called margins but particularly African-Americans are wanted in the room but rarely given the agency to really affect/define a space–which is to say–more than a seat at the table. What if we created the room?


Oakley - Free Shipping - Shop Online

Blackademics harkens to the emerging genre of movies like the film Get Out with surreal but shockingly realistic portrayals of the black narrative in America. Where do you envision this new form of storytelling going?

Yo, I wrote Get Out before Get Out! I love that movie though so I’m not mad. I think this is not a new form of storytelling actually. The roots of black story are rooted in the supernatural, metaphorical and allegorical. And I don’t have to talk about our relationship to psychological terror. Hitchcock ain’t got nothin’ on us!

Do you have any advice for aspiring playwrights?

Goodwin: See plays, read plays, develop an interest in other forms of writing and art and bring those into the realm of theatre along with the specifics of your culture, community and ancestors.


Also by Playscripts:

9 Playwrights on Theatre That Excites Them

Taryn Temple – Playwright Of The Hit Comedy “The Princess Capers”

Published in cooperation with Playscripts.com
Follow Playscripts on Facebook, Instagram, Twitter

Join TheatreArtLife to access unlimited articles, our global career center, discussion forums, and professional development resource guide. Your investment will help us continue to ignite connections across the globe in live entertainment and build this community for industry professionals. Learn more about our subscription plans.

The Market

Love to write or have something to say? Become a contributor with TheatreArtLife. Join our community of industry leaders working in artistic, creative, and technical roles across the globe. Visit our CONTRIBUTE page to learn more or submit an article.

STANDBY

logo-2.jpg

Thank you so much for reading, but you have now reached your free article limit for this month.

Our contributors are currently writing more articles for you to enjoy.

To keep reading, all you have to do is become a subscriber and then you can read unlimited articles anytime.

Your investment will help us continue to ignite connections across the globe in live entertainment and build this community for industry professionals.

Are you ready? Select JOIN to get started!