The Stage Manager Tag: Katie Houff
We are asking stage managers around the world, in a stage manager tag, some key questions about their job. Here is Katie Houff based in NYC, USA.
The Positive Side of Negative Visualization
Stagehands often joke that we aren’t paid to run a show track. We’re really there to fix problems and (on tour) load the show in and out. With a little bit of direction, anyone can follow a track: page a curtain, swap a microphone or move something from one place to another. You hire a prop master because she has specialized knowledge and can rebuild or repair a prop that breaks or get an audio technician because she actually knows the components of the system and can suss out a problem.
The Stage Manager Tag: Adedamola Olayemi Oyewo
We are asking stage managers around the world, in a stage manager tag, some key questions about their job. Here is Adedamola Olayemi Oyewo based in Lagos, Nigeria.
The Stage Manager Tag: Keyur Shah
We are asking stage managers around the world, in a stage manager tag, some key questions about their job. Here is Keyur Shah based in Mumbai, India.
Top Three Things I Wish I Realized as a Professional Dancer
I retired from my dance career about 9 years ago. I loved being a professional dancer. It is a special feeling, being able to express everything without words. I learned so much from my dance training and career: discipline, dedication, attention to detail, focus, persistence, and a strong work ethic. I’ve reflected a lot on my career and everything I’ve learned, both positive and negative. And if I could go back and talk to my younger self, this is what I would say: